“I really like Christmas”

Over the last month, I’ve been sharing my favourite holiday music with you, along with thoughts and musings and stories and love. If you missed any, I’ve compiled a list of all 24 here, but I also have a present for you: an acoustic cover I did of Tim Minchin’s White Wine in the Sun, which I opened the series with.

Whether or not you’re religious or celebrate Christmas or surround yourself with family or friends, I hope you have had and continue to have a wonderful winter season, filled with warmth and love.

Merry Christmas.

  1. White Wine in the Sun and thoughts on Christmas, family, love, and music.
  2. Silent Night and my favourite Christmas carol as a kid.
  3. Chiron Beta Prime and a look back at my crazy year of 2011.
  4. Sleigh Ride and memory and tradition.
  5. We Need a Little Christmas and the Muppets.
  6. Hallelujah and memories of my Opa, who passed away 17 years ago.
  7. God Rest Ye Merry Gentlemen and musical covers.
  8. Another Christmas Song and original Christmas music.
  9. The Christmas Song and Christmas traditions.
  10. Elf’s Lament and stress.
  11. Wintersong and how we portray ourselves online — the things we don’t share.
  12. 2000 Miles and missing people around Christmas.
  13. First Snow on Brooklyn, loneliness, and a cover I recorded.
  14. Carol of the Bells.
  15. If We Make It Through December and interpreting music.
  16. Winter Song and life’s ups and downs.
  17. Christmas Canon and Pachelbel.
  18. Song for a Winter’s Night and dealing with distance in a digital world.
  19. ‘Zat You Santa Claus? and a story of Biggles the Chicken.
  20. O Holy Night.
  21. Jack Frost and the Hooded Crow and a preview of a story from Azrael’s Stop.
  22. The Huron Carol.
  23. What Child is This?
  24. Baby It’s Cold Outside, my favourite.
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“Mind if I move in closer?”

Baby It’s Cold Outside is usually at best a poppy, kind of annoying love song, and at worst a song about date rape. (Say, what’s in this drink?)

But. Holly Cole and Ed Robertson of the Barenaked Ladies manage to do something else with it. Holly Cole, whose voice I previously described as pure sex, turns her protestations into sultry teases; it becomes transformed into an epic flirtation. Combined with the gorgeous orchestrations that accompany it, Holly Cole’s take on Baby It’s Cold Outside is one of the sexiest songs I know.

I can’t stand any other version of the song. Even the Glee version, which was adorably between two guys, doesn’t measure up musically. But Holly Cole’s is my absolute favourite Christmastime song.

Merry Christmas, everyone. May your day be full of love.

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This is part of a series of posts I’m writing every day of December until Christmas, musing on my 25 favourite Christmas songs. The first one is here.

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“Laid to rest”

I’ve always loved the tune of Greensleeves, that English folk sound that is so hauntingly beautiful. And so What Child is This, written to the tune of Greensleeves in 1865 makes my list, as we wind down. (Amusingly, one possible interpretation of the original lyrics of Greensleeves is that it’s about a prostitute.)

There are of course many versions. Sticking with the artists whose Christmas albums I enjoy most, I give you Jethro Tull’s jazz/rock instrumental version and the Canadian Tenors beautiful rendition with a truly awesome instrumental in the middle (featuring Carol of the Bells tune).

It’s Christmas Eve. Tomorrow I will finish the series with my favourite Christmas song; until then, rest well. Enjoy family, friends, light, and love.

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“The hunter braves drew nigh”

It’s really interesting to me to look at the creation and spread of myth and story. It’s pretty much my topic of choice. And the Huron Carol, an actual Canadian carol (and an old one, too) is an intriguing case study in that.

It takes the traditional nativity story and translates it into terms for the natives of Canada — invoking their god, putting Jesus in a lodge of broken bark, with hunter braves gathering and chiefs from afar bringing him gifts of pelt.

The lyrics were written originally in the Huron/Wendat language, to the tune of a familiar French song of the time, thus being explicitly intended to spread the Christian message to the natives. Without getting into the politics of Europeans spreading Christianity to the First Nations people, it’s a really interesting look at how myth is spread from one people to another.

I think it’s also really interesting that Jean de Brébeuf, the missionary who wrote it, would translate it into terms more familiar to the people he was trying to convert — and it’s neat to see how none of the important parts of the story are actually affected by those changes. (A suggestion, perhaps, that not everything in the Bible need be taken literally?)

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This is part of a series of posts I’m writing every day of December until Christmas, musing on my 25 favourite Christmas songs. The first one is here.

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“Jack Frost and the Hooded Crow”

Today’s Christmas music post is a preview of a story I’ll be releasing in the new year as a part of my experimental transmedia fiction project Azrael’s Stop.

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Ceph stoked up the fire. The bar was mostly empty — he’d started to get a few patrons some nights, but Azrael’s Stop was hidden down a little alleyway near Temple Ward, and Ceph didn’t think anyone would ever find it. Only that old man, Tom, was nursing his whiskey in the corner with a friend.

The Theore night was frigid, and though the Stop did a good job of keeping out the damp, Ceph still shivered. It was colder than normal in the city. He felt sorry for those who didn’t have a warm fire tonight.

He heard a flapping of wings, and saw the hooded crow alight in the rafters. He’d never heard it make any other noise than that. It was a little creepy.

He sighed. The Gifted Days of the Yuletide season always made him think of his family — long dead as they were. They’d died fourteen years ago, when he was just a toddler. He didn’t have anyone to be with at Yuletide.

The hooded crow took wing again, landing in front of the great oaken front door. It cocked its head at him.

“What?” Ceph said. “Expecting visitors? No one ever comes.”

He went to pour Tom another whiskey, but the crow kept standing at the door. It pecked at it once or twice.

“Looks like it needs to go out,” Old Tom chuckled.

“Normally  it just shits in my bed when it needs to go,” Ceph said. Tom laughed.

The crow pecked at the door again, and Ceph sighed. “You want us to freeze in here?” He went to the door, the crow hopping aside to make room, and opened it in exasperation.

A young man sat on the stoop, a ragged blanket pulled tight around his shoulders. He looked up at Ceph with bleary dark eyes.

Ceph raised his eyebrows as a cold wind swirled around him. “Oh!” he said. He glanced briefly at the hooded crow. “You look cold. …You want a drink?”

The man nodded, numbly. He tried to get to his feet, but stumbled. Ceph grabbed his arm and helped him up, leading him inside the Stop and closing the door tight behind them.

The hooded crow watched him — he thought its look was almost approving…

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For more on Azrael’s Stop, check out azraelsstop.com. The rest of this story will be posted there in the new year.

This is part of a series of posts I’m writing every day of December until Christmas, musing on my 25 favourite Christmas songs. The first one is here.

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“The soul felt its worth”

I was never a huge fan of O Holy Night as a kid. I think there was something about its slightly unusual structure, and a melody I could never quite get a handle on.

By last year I heard Josh Groban sing it, and then was introduced to both the Celine Dion version and the Canadian Tenors version, and it quickly rocketed to my top 25.

I love the rising emotion in the song. It starts peacefully, a soft hymn to the glory of the night. Then slowly it builds in fervour and power, becoming an ecstasy of passion.

That’s it for now. Enjoy the music, and I’ll have another post later — only a couple more days to get through them all!

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This is part of a series of posts I’m writing every day of December until Christmas, musing on my 25 favourite Christmas songs. The first one is here.

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Biggles and the Intruder

Holly Cole — ‘Zat You Santa Claus:

Listen to

penned by Floerian Silverstring

Biggles the Chicken adjusted the tophat atop his head, wiping his brow with a wing. He always forgot just how long the trek was from the city to his home on the hill.

The farmland outside the city was the worst — it always reminded him of his imprisonment, far away. The woods that came after were little better — they were dark and full of dangerous creatures. He looked forward though to the hills where he lived — they were idyllic and quiet, and attractive to small creatures like him.

He walked now through the woods, and he was beginning to tire. He looked forward to a nice chair by the fire, and a mug of hot ginger tea, perhaps with a dash of nutmeg.

He was still thinking of tea when four forms appeared on the path in front of him. At first he couldn’t see who they were in the gloom of the forest, but then he recognized them — the foxes that lived nearby.

“Hello, little bird,” Mr. Fox said, growling.

“Mr. and Mrs. Fox!” Biggles said, his sweat growing cold. “A pleasure, I’m sure. And these must be your lovely pups.”

“Two of them,” Mrs. Fox said, and she sounded more menacing than her husband. “What are you doing in our woods, chicken?”

“Just heading home, I assure you!” Biggles said, doffing his tophat. “I’m coming in from the city.”

“You weren’t here yesterday?” Mr. Fox said, taking a step closer.

“No,” Biggles said. “I’ve been in the city!”

Mrs. Fox narrowed her eyes, and Biggles swallowed nervously. Then she said, “Better get home fast, chicken. The road is dangerous.” And the foxes stepped aside to let him pass.

“Yes, ma’am!” Biggles said, gave a little bow, and hurried on his way, wondering as he did what had the foxes so wary.

Back at his little home in the hills, Biggles sat in his little chair by the little fire, sipping ginger and nutmeg tea from a rather large mug. It was nice to relax after such a long journey, and he felt his eyelids grow heavy.

He was about to drift off to the Dreamscape when he heard a thump.

Biggles sat bolt upright in his chair, spilling tea across the wooden floor. He heart beat rapidly as he listened hard. What had he heard? Had he imagined it?

Then — thump.

He definitely hadn’t imagined it. He reached for his swordcane, imagining burglars — or some kind of monster. Could this be what the foxes had been so worried about?

He drew the sword and slipped from his chair, creeping towards the door, straining his ears for other sounds.

Nothing.

“Hello?” he called.

Nothing.

He peered into the gloom of the next room, thin sword in hand. Nothing but silence.

“Hello?”

Then — a growl.

He raised his sword, and moved into the dark room. It had been soft, but definitely menacing.

“Who’s there?”

Another thump, and a growl. It was coming from the back room.

Biggles felt a chill, and a slight breeze ruffled his feathers. He shivered.

Were those eyes in the darkness?

“H-hello?” he called again, his voice a little shakier.

Then the eyes looked right at him and he let out a bu-CAWK! of terror, almost dropping his sword.

The thing growled again — then let out a piercing wail.

“Leave me alone!” Biggles cried. “Please, I’m just a frightened chicken! Who are you?”

The thing didn’t respond — it grew quiet again, watching Biggles. He couldn’t make out what it was in the darkness.

Holding his sword in front of him, he fumbled for a match with his other wing. He struck the match, but it didn’t light. He struck again — nothing. Then on the third strike, the match flared — and Biggles saw what was watching him.

It was a tiny baby fox, with huge blue eyes, shivering in the back room, cold wind coming through the open door.

Biggles clucked with sudden sympathy. “Oh, you poor thing,” he said, dropping his sword and lighting a candle with the match. “You must be terrified! I bet you’re the Foxes’ youngest. No wonder they were so worried — their child was missing!”

The little baby fox wimpered in reply.

“It’s okay, little one. I won’t hurt you — you gave me quite a scare!”

And Biggles carefully bundled the little guy into his wings.

“Let’s get you home,” he said.

The foxes were very happy to see their little child, after only a brief suspicion that Biggles had taken the pup in the first place. But after he explained what happened, hey took the pup in their arms, thanked Biggles, and apologized for their behaviour earlier.

“That’s okay,” Biggles said. “Sometimes we get scared of the most harmless things — but at least it keeps us safe!”

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This is part of a series of posts I’m writing every day of December until Christmas, musing on my 25 favourite Christmas songs. The first one is here.

Biggles the Chicken is the star of a number of fables. Read a Christmas-related one here.

If you enjoy my writing, consider checking out my experimental fiction project Azrael’s Stop, about a boy who must learn to live when everyone he loves has died. Updated daily at azraelsstop.com.

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“If I could only have you near”

close but far

Distance is such a strange thing in today’s technological environment. The world has become so much smaller; we live in a time when where we live has very little bearing on our communication and socialization — I communicate as much with friends who live across the country or across the border as I do some friends in the same city as me.

Plus, distance has become little barrier to things like work — I work with people in Boston and San Francisco, and yet we can have brainstorming sessions via Skype or Google+ Hangout, conference calls with the teams, and endless email exchanges and IM conversations.

One of my jobs I got purely via twitter and blogging. Almost all of my industry contacts were first met that way.

And yet…

Nothing’s quite the same as seeing someone in person. Nothing’s quite the same as being in the same room to bash your heads together or motivate yourself for work.

A twitter conevrsation isn’t the same as having a drink together.

And there’s nothing quite the same as hearing someone laugh. As sitting together in comfortable silence, as that mere mutual presence. As shaking hands, and sharing a meal. As a hug.

Technology has made it possible for us to all be so much closer to each other — and yet seems that much farther away.

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This is part of a series of posts I’m writing every day of December until Christmas, musing on my 25 favourite Christmas songs. The first one is here.

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“Not forgotten”

pachelbel Pachelbel’s Canon in D has long been my favourite piece of classical music. And it’s a pretty well known piece and a lot of people’s favourite (I remember hearing it was the number one favourite classic song in some radio station’s poll one time), so it’s kind of cliché. But man I love it.

I have something like 40 versions of Canon on my computer. Talk about different and interesting covers — everything from brass quintet to blues piano to jazz flute to electric guitar rock.

And a Christmas version. The Trans-Siberian Orchestra wrote a lovely version of Canon with lyrics and a children’s choir, turning this piece that I’ve always loved into a heart-warming little piece of Christmas music. So of course it makes my list.

I love that the choir part is as much a canon as the original. And I think children’s choirs are beautiful.

Simple, but elegant.

And for some Canon-related humour, check out this lovely little video, and see just how influential Pachelbel has been…

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“Seasons always change”

UAS Flower Sprout Snow Life is full of strange ups and downs. Those moments when something happens and you think “maybe.” Maybe this time. Maybe now.

And for a time — a few minutes, a few hours, a few days, a few weeks — life is suddenly full of potential. I can do this. This could be it.

Or even if it’s not that big — it could be something to look forward to. Something that picks you out of the doldrums, the bleak coldness of winter, the endless sameness. For a few days, there’s a little light that wasn’t there before, a potential.

And you do your thing, you go through your motions, but there’s that thing, that thing that you think about and you can’t help but smile to yourself. Because it’s there. Maybe it’s coming up. Maybe it’s the end of a process, and you can taste it. It motivates you to keep going.

It’s something to hold onto.

And then, sometimes, it doesn’t happen. Plans fall through, it doesn’t last, or it wasn’t what you thought it was. Was it a trick, that you convinced yourself it would be this thing it wasn’t? But maybe it just didn’t work out.

And it sucks. It’s back to the drawing board, back to the bleakness, back to the day to day.

But for those few minutes, few hours, few days, or few weeks, it was a spark of something more.

But that spark will come again. It always does. And sometimes, it starts a little fire.

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